Abstract:

One of the most important aims of the viceregal literate community was to contribute to the theological construction and installation of the Virgin Mary in the imagination of the American population. As we see in El amar su propia muerte, dramatist Espinosa Medrano put his pen at the service of this purpose, employing the discursive genres of his time. My analisis of this comedic text focuses on two characters: Barac and Jael. The latter, the socalled Doctor Sublime, brings together recognizable and identifiable Marian codes common to peninsular and creole subjects as well as to the Cuzco indigenous population. With a certain amount of dramatic license, El amar su propia muerte reproduces the biblical story and at the same time highlights the active role and ingenuity of Jael by casting her as the Virgin in the resolution of local conflicts.

摘要：

副官扫盲社区的最重要目标之一是在美国人口的想象中，为圣母玛利亚的神学建设和装置做出贡献。正如我们在《先驱时代》中所看到的那样，戏剧家埃斯皮诺萨·梅德拉诺（Espinosa Medrano）运用了当时的话语流派，为此献身。我对这部喜剧文本的分析集中在两个字符：Barac和Jael。后者，即所谓的Sublime医生，汇集了半岛和克里奥尔人以及库斯科土著居民常见的可识别和可识别的玛丽安密码。拥有一定数量的戏剧性许可，El amar su propia muerte 再现了圣经中的故事，同时通过将杰尔（Jael）选为处女，以彰显其在解决当地冲突中的积极作用和独创性。