Abstract:

Reading André Gide's novel Les Faux-monnayeurs (1924) through the lens of Kadji Amin's recent reflections on the historiographically unsteady category of modern pederasty, this article aspires to an understanding of queer as a distinctly narrative model of playfully contrived identity formation. Attention to how queer identities are forged in Gide, and historically in his wake, I argue, will allow new insights into queer theory's perpetual efforts at self-(re)invention.

中文翻译：

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书呆子和/或作为叙事形式：安德烈·基德的《奇怪的硬币》

摘要：

通过卡德·阿明（Kadji Amin）对现代教育史学上不稳定的范畴的近期反思的镜头，阅读安德烈·基德（AndréGide）的小说《虚假的人》（Les Faux-monnayeurs）（1924），本文希望将酷儿理解为一种嬉戏的人为形成的独特叙事模型。我认为，关注古德身份是如何伪造的，从历史的角度来看，我认为他将在古德理论为自我（重新）发明做出的不懈努力方面提供新见解。