This article considers the Lucianic Erôtes a receptor of Greek novels and focusses on Chariton’s Callirhoe as hypotext. It argues that Chariton’s construction of Callirhoe as a double of Aphrodite, and the plot that this predicament generates, are central to the presentation of the statue of Aphrodite in the Erôtes. This is revealed by consistent verbal echoes and by the re-enactment of memorable scenes in the novel. The Erôtes emerges as an important document for the early reception of Greek novels, and its author as an attentive reader of them.

中文翻译：

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看到双打：埃罗特（Erôtes）的查里顿（Chariton）招待会

本文认为Lucianic Erôtes希腊小说的论点集中在沙里的受体Callirhoe为hypotext。它辩称，查理顿将卡里霍（Callirhoe）建造为阿芙罗狄蒂的两倍，以及这种困境产生的情节，对于在埃洛特（Erôtes）展示阿芙罗狄蒂雕像至关重要。连贯的言语回声和小说中令人难忘的场景的重演都揭示了这一点。该Erôtes出现为早期接待希腊小说的一个重要文件，以及它作为他们的细心的读者作者。