This article argues that Juno’s speech in Horace’s Odes 3.3 includes a short series of programmatic allusions to Virgil’s Aeneid that assist Horace in promoting the distinct identity of his own lyric poetry. Juno’s speech asserts that Rome’s passage to greatness depends on not ‘rebuilding Troy’. Horace’s allusions identify the motif of Trojan restoration as a central theme in the Aeneid’s narrative, and, in a metapoetic sense, associate it pejoratively with the cultural performance of the epic itself in its canonical retelling of the Trojan story. In this way Horace uses Juno’s speech strategically to characterise the Aeneid as decadent and regressive; by contrast Juno promotes moral restraint as a virtue that characterises Horatian lyric.

本文认为，朱诺在霍勒斯的《颂歌》 3.3中的讲话包括对维吉尔的《埃涅德》的一系列程序化典故，这些典故有助于霍勒斯提升他自己抒情诗的独特性。朱诺（Juno）的讲话断言，罗马之所以成为伟大，取决于不“重建特洛伊”。贺拉斯的典故识别特洛伊木马恢复的主题作为一个中心主题埃涅阿斯纪的叙述，并且在metapoetic某种意义上说，它贬与史诗本身在特洛伊的故事它的规范复述的文化表现相关联。通过这种方式，霍勒斯策略性地利用朱诺的讲话来刻画埃涅阿迪德人的性格。decade废和退缩 相比之下，朱诺（Juno）提倡道德克制，这是匈牙利抒情诗的特征。