This article approaches Saʿdi’s little-studied panegyric production. The contribution focuses on an encomiastic modality that is almost completely neglected when it comes to the study of the Persian qasida as a performative text that enacts the political, ethical, and aesthetic values of the court. This modality is primarily amatory, and combines the standard erotic discourse of the Ghaznavids and late Saljuq poems of praise with Saʿdi’s original theo-erotic lyricism, which is mostly known through his ghazals. This critical approach will unfold by unearthing its underlying functions in a broad variety of qasidas that relate to the courtly conversations between Saʿdi and two young rulers who patronized the majority of Saʿdi’s literary activities: the Salghurid prince Saʿd b. Abi Bakr (d. 1260), and the minister of finances (sāheb divān) of the Il-khanid empire, Shams al-Din Jovayni (d. 1284).

本文介绍了Saʿdi很少研究的胰高血糖素生产。贡献的重点，当涉及到波斯的研究，几乎完全被忽视的encomiastic方式qasida作为颁布法院的政治，伦理，价值和审美价值一个表演文本。这种模式主要是爱情的，并结合了伽色尼王国，并与萨迪的原始西奥色情的抒情性，这主要是通过他的著名的好评后期Saljuq诗的标准话语色情加扎勒秒。通过在各种Qasida中挖掘其基本功能，将展现这种关键方法与Saʿdi和两位年轻的统治者光顾Saʿdi的大部分文学活动之间的礼节性交谈有关的内容：Salghurid王子Saʿd b。阿比·巴克（Abi Bakr，卒于1260年）和伊尔·哈尼德（Il-khanid）帝国的财政大臣（Sāhebdivān），沙姆斯·丁·约瓦尼（Shams al-Din Jovayni，卒于1284年）。