Poetry has long had a central place in the repertoires of modern Egyptian protest movements, but just as social science accounts of these movements downplay the role of expressive arts (such as poetry), literary studies of colloquial Egyptian poetry have downplayed the performative dynamic of this poetry, as well as its role within social movements. This essay develops the concept of “movement poetry” within the Egyptian social movements, with a special focus on the protest cycle of 1968-1977. In so doing, it discusses the work of Abdel Rahman el-Abnoudi (ʿAbd al-Raḥmān al-Abnūdī), Ahmed Fouad Negm (Aḥmad Fuʾād Nijm), Samīr ʿAbd al-Bāqī, and others, and considers the conventions and repertoires that extend to Egyptian activists in the present.

长期以来，诗歌在现代埃及抗议运动的曲目中一直处于中心地位，但是正如社会科学对这些运动的描述不那么重视表达艺术（例如诗歌）的作用一样，口语埃及诗歌的文学研究也对这种表演的表现动力不屑一顾。诗歌及其在社会运动中的作用。本文发展了埃及社会运动中的“运动诗”的概念，并特别关注了1968-1977年的抗议活动。在此过程中，它讨论了Abdel Rahman el-Abnoudi（ʿAbdal-Raḥmānal-Abnūdī），Ahmed Fouad Negm（AḥmadFuʾād Nijm），SamīrʿAbdal-Bāqī等人的作品，并考虑了延伸的惯例和曲目目前的埃及激进分子。