This article identifies a set of plays written in the seventeenth and eighteenth centuries by ‘new Jews’ in the Western Sephardi Diaspora, as autos sacramentales. It discusses essential characteristics of this genre, such as the dual—theomachic and psychomachic—level, the triangle constellation of allegorical characters with human nature in its center and the representatives of good and evil on both sides, and the parallelism created in the play between the cosmic story, the story of humanity, and the story of the individual human soul. It is argued that these characteristics are to be found in plays written by Jews in the Early Modern Era. The article maintains that the appearance of this corpus of plays in the history of Jewish writing indicates that an underlying structure of the psychic and historical consciousness of Western culture had not skipped the Jewish cultural world.

本文确定了在西方Sephardi散居地的“新犹太人”在17世纪和18世纪所写的戏剧，作为汽车圣礼。它讨论了这种体裁的本质特征，例如双重（神性和精神性）水平，寓于人性的寓言人物的三角形星座，以及两侧善恶的代表，以及两者之间在游戏中创造的平行性。宇宙故事，人类故事以及个人灵魂的故事。有人认为，这些特征是在近代早期犹太人所写的戏剧中发现的。该文章认为，这种剧集在犹太人写作历史中的出现表明，西方文化的心理和历史意识的潜在结构并没有跳过犹太人的文化世界。