ABSTRACT

This article examines the importance that bodily materialism occupies in three representative short stories taken from La contagion du réel while highlighting the implicit and explicit criticism of religious dogma that can be found within them and the collection as a whole. The three stories examined here, situated at the beginning, in the middle, and at the end of the collection, correspond to the Imaginary, the Symbolic and the Real, or the three elements composing the Borromean knot that Jacques Lacan attributes to the structure of the Subject. This article shows the extent to which the Real, which Lacan associates with the impossible, corresponds to the changing and unforeseeable nature of material life and underlines the importance of paying attention to it. To conclude, I insist on the relationship between the Real and the ambiguity of the last text in the collection, which recalls at once a short story and an editorial note.

摘要

本文探讨了身体唯物主义在《巴黎传染病》中的三个代表性短篇小说中所占据的重要性。同时强调了对宗教教条的隐式和显式批评，这些批评可以在其中找到，也可以从整体上找到。此处考察的三个故事分别位于集合的开始，中间和结尾，分别对应于虚构，象征和真实，或构成雅各·拉康归因于博洛尼亚结的三个元素的鲍罗密欧结。主题。本文显示了拉康与不可能联系在一起的真实在多大程度上与物质生活的变化和不可预见的性质相对应，并强调了关注它的重要性。总而言之，我坚持真实与收藏中最后一个文本含混不清之间的关系，这立刻让人想起一个短篇小说和一篇社论。