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Italian neorealism and the ‘woman’s film’: Selznick, De Sica and Stazione Termini
Screen ( IF 0.3 ) Pub Date : 2021-02-19 , DOI: 10.1093/screen/hjaa050
Catherine O’rawe

As a screenwriter, I don’t consider Stazione Termini a document of my neorealist career, because the Italian-American co-production watered down whatever neorealist seed there was in it (the examination of a very restricted space and time).11

中文翻译:

意大利新现实主义与“女人的电影”:塞尔兹尼克,德西卡和斯塔齐内·特米尼

作为编剧,我不认为中央火车站我职业生涯新现实主义的文件,因为意大利裔合作生产冲淡一切新现实主义的种子里头0.1(一个非常有限的空间和时间的检验)1
更新日期:2021-03-15
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