Abstract

The reception of Johannes Lippius’s path-breaking conception of the triad chiefly relies upon his treatise Synopsis musicae novae. Yet Lippius first published most of his ideas in texts called “disputations,” whose genre-specific peculiarities have been overlooked. By situating Lippius’s writings within the early-modern university system, this essay reveals an important instance of how demands of audience and genre have shaped music theory and offers tantalizing glimpses of how the oral disputation may have encouraged Lippius to clarify his ideas, particularly in his recasting of the analogy between the triad and the Trinity.

中文翻译：

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纠纷中的三合会：约翰尼斯·利皮乌斯（Johannes Lippius），他的听众和争议类型

摘要

约翰内斯·利皮乌斯（Johannes Lippius）突破性的三合会概念的接受主要取​​决于他的论文《音乐提要》。然而，利皮乌斯（Lippius）首先将他的大部分思想发表在称为“争议”的文本中，这些文本针对特定类型的特殊性而被忽视了。通过将Lippius的著作置于早期现代大学体系中，本文揭示了听众和流派需求如何影响音乐理论的一个重要实例，并提供了令人眼花ation乱的口头辩论可能如何鼓励Lippius澄清其思想的一瞥，特别是在他的著作中重塑了三合会和三位一体之间的类比。