The digital humanities have grown to encompass multiple disciplines; they embrace everything from online resources that have the potential to democratize scholarship to computational approaches that allow a higher order analysis of large datasets. That the digital humanities has significantly influenced musicology is evidenced by the number of leading journals, including the Journal of the American Musicological Society, Notes, Journal of the Society of American Music and Nineteenth Century Music Review, that regularly review digital resources and by the increasing use of the tag ‘digital musicology’. This special issue of Nineteenth Century Music Review (NCMR) and this introduction reflect a broad definition of the digital humanities; they embrace digital archives, born-digital projects, and studies employing computational methodologies and tools.

中文翻译：

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数字人文与 19 世纪音乐：介绍性概述

数字人文学科已经发展到涵盖多个学科；他们涵盖了从有可能使学术民主化的在线资源到允许对大型数据集进行更高阶分析的计算方法的所有内容。数字人文对音乐学产生了重大影响，领先期刊的数量证明了这一点，包括美国音乐学会杂志,笔记,美国音乐学会杂志和十九世纪音乐评论，定期审查数字资源，并通过越来越多地使用“数字音乐学”标签。本期特刊十九世纪音乐评论（NCMR）和本介绍反映了数字人文学科的广泛定义；他们包括数字档案、天生的数字项目以及使用计算方法和工具的研究。