Chiara Guidi, along with Romeo and Claudia Castellucci, was one of the founders in 1981 of Societas Raffaello Sanzio (now renamed Societas), the Italian company that, above any other, has been at the forefront of the international theatre scene since the early 1980s. She was the soul of dramatic rhythm and vocal composition for the company’s productions, directing numerous plays and researching each actor’s spoken part. Author and producer of sound theatre since the 1990s, she has also created an intense artistic experience with children as part of her research and analysis of the relationship between voice and childhood, which has earned her several awards, including an Ubu Prize in 2013. In this interview1 she discusses the early projects of Societas Raffaello Sanzio, which explored immersive, environmental performances for and with children – a line of research within the company’s multidirectional and overlapping experimental activity that she led. Dominika Laster is Associate Professor of Theatre and Performance Studies at the University of New Mexico. She is the author of Grotowski’s Bridge Made of Memory: Embodied Memory, Witnessing and Transmission in the Grotowski Work (2016), and is Executive Co-Director of the ‘Performance in the Peripheries’ initiative (see https://www.performanceperipheries.com).

中文翻译：

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戏剧的童年：“婴儿公众”的错误方法

Chiara Guidi 与 Romeo 和 Claudia Castellucci 一起，是 1981 年 Societas Raffaello Sanzio（现更名为 Societas）的创始人之一，这家意大利公司自 1980 年代初以来一直处于国际戏剧界的最前沿. 她是公司制作的戏剧节奏和声乐创作的灵魂，指导了许多戏剧并研究了每个演员的口语部分。自 1990 年代以来，她一直是声音戏剧的作者和制作人，作为她对声音与童年关系的研究和分析的一部分，她还与儿童一起创造了强烈的艺术体验，这为她赢得了多个奖项，包括 2013 年的 Ubu 奖。这次采访1她讨论了 Societas Raffaello Sanzio 的早期项目，该项目探索了为儿童和与儿童一起进行的沉浸式环境表演——这是她领导的公司多方向和重叠实验活动中的一项研究。Dominika Laster 是新墨西哥大学戏剧与表演研究副教授。她是作者格罗托夫斯基的记忆之桥：格罗托夫斯基作品中的具身记忆、见证和传播（2016 年），并且是“外围绩效”计划的执行联合主任（见https://www.performanceperipheries.com）。