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Musical Entanglements: Ely Haimowitz and Orchestral Music under the US Army Military Government in Korea, 1945–1948
Journal of the Society for American Music ( IF 0.2 ) Pub Date : 2021-02-23 , DOI: 10.1017/s1752196320000450
HYE-JUNG PARK

Shortly after Japan's surrender to Allied forces, the Soviet Union occupied the northern part of Korea, and the United States moved into the south, where it established the US Army Military Government in Southern Korea (USAMGIK, 1945–1948). In the American zone, music played a unique role in forging US hegemony over Korea. Young American pianist Ely Haimowitz (1920–2010) was the central figure in shaping that policy. Associated with “highbrow” culture, Western orchestral music helped restore Koreans’ ethnic pride damaged by Japanese colonial rule, while countering the Soviet emphasis on indigenous music. By fostering Western orchestral music in Korea, and supporting many individual musicians, Haimowitz succeeded in gaining widespread admiration and trust among Korean musicians. Based on unique access to Haimowitz's private archival collection, as well as diverse historical records from Korea, this article develops a complex picture of Haimowitz not merely as a cold-blooded US military officer and propagandist but also as an individual musician who shared friendships with Korean musicians, suffered ethical dilemmas, and often supported Korean voices against the USAMGIK. The relationships he forged provide indispensable context in understanding USAMGIK music policy, Korean musicians’ responses to it, and the post–World War II Korean reception of Western orchestral music overall.

中文翻译:

音乐纠葛:1945-1948 年美国陆军军政府在韩国的伊利·海莫维茨和管弦乐

日本向盟军投降后不久,苏联占领了朝鲜北部,美国向南进军,在朝鲜南部建立了美国陆军军政府(USAMGIK,1945-1948)。在美国地区,音乐在美国对朝鲜的霸权中发挥了独特的作用。年轻的美国钢琴家 Ely Haimowitz (1920–2010) 是制定该政策的核心人物。与“高雅”文化相关联的西方管弦乐帮助恢复了被日本殖民统治破坏的韩国人的民族自豪感,同时对抗苏联对本土音乐的重视。通过在韩国培养西方管弦乐,并支持许多个人音乐家,海莫维茨成功地赢得了韩国音乐家的广泛钦佩和信任。基于对 Haimowitz 的独特访问 海莫维茨的私人档案收藏,以及来自韩国的各种历史记录,本文展开了一幅复杂的海默维茨图景,他不仅是一位冷血的美国军官和宣传员,而且是一位与韩国音乐家分享友谊、遭遇道德困境的个人音乐家,并经常支持韩国人反对 USAMGIK 的声音。他建立的关系为理解 USAMGIK 音乐政策、韩国音乐家对此的反应以及二战后韩国对西方管弦乐的整体接受提供了不可或缺的背景。并经常支持韩国反对 USAMGIK 的声音。他建立的关系为理解 USAMGIK 音乐政策、韩国音乐家对此的反应以及二战后韩国对西方管弦乐的整体接受提供了不可或缺的背景。并经常支持韩国反对 USAMGIK 的声音。他建立的关系为理解 USAMGIK 音乐政策、韩国音乐家对此的反应以及二战后韩国对西方管弦乐的整体接受提供了不可或缺的背景。
更新日期:2021-02-23
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