This article takes as its central site of interrogation the stone sculpture of Kagawa Toyohiko (1888–1960) in the Washington National Cathedral, asking how a statue of a Japanese Christian leader came to be constructed inside one of America's most important religious institutions. At first glance, the statue appears to be a simple instance of commemoration for an individual who dedicated his life to helping the poor and spreading the gospel within his native country of Japan. What emerges from a close examination of the National Cathedral's archives, however, is the story of a religious leader whose international standing and reputation underwent a significant shift over the course of his career. By tracing the construction of Kagawa's image as a globally renowned Christian pacifist during the interwar period, and the challenges to this image brought on by his subsequent wartime activities, this study seeks to place the Cathedral's building of the statue into historical context. In doing so, it illuminates the politics of national representation inherent in this project of cross-cultural commemoration, while also highlighting the lessons it offers about the rise and fall of Christian internationalism in the mid-twentieth century.

中文翻译：

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菊花与“圣人”：华盛顿国家大教堂的香川真人像

本文以华盛顿国家大教堂的香川丰彦（1888-1960）石雕为中心审讯地点，询问如何在美国最重要的宗教机构之一建造日本基督教领袖的雕像。乍一看，这座雕像似乎是一个简单的纪念例子，纪念一个毕生致力于帮助穷人并在他的祖国日本传播福音的人。然而，通过仔细检查国家大教堂的档案，可以发现一位宗教领袖的故事，他的国际地位和声誉在他的职业生涯中经历了重大转变。通过追溯香川在两次世界大战期间作为全球知名基督教和平主义者的形象的构建，以及他随后的战时活动对这一形象带来的挑战，本研究旨在将大教堂的雕像建筑置于历史背景中。在这样做的过程中，它阐明了这个跨文化纪念项目中固有的国家代表政治，同时也强调了它提供的关于 20 世纪中叶基督教国际主义兴衰的教训。