Abstract

Despite her fame and cultural prominence as a Spanish dancer, Antonia Mercé La Argentina did not appear in major film projects, like many of her peers. In this article, we examine the recent discovery of footage of Mercé and contextualize these preserved fragments within the development of Western cinema and the presence of the Spanish imaginary in the film industry of the time. These visual sources reveal how Mercé negotiated between art and technology, stage and screen, economy and aesthetics in establishing her cultural position and resisting particular constructions of Spanishness.

中文翻译：

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阿根廷安东尼奥·梅塞拉酒店和动态影像：电影和舞蹈之间的景点和摩擦

摘要

尽管她作为西班牙舞者的名声和文化地位很高，但阿根廷安东尼奥·梅塞·拉·阿根廷并没有像许多同龄人一样出现在大型电影项目中。在本文中，我们检查了最近发现的Mercé录像带，并将这些保存下来的片段与西方电影发展中的片段以及当时的电影业中西班牙虚构人物的存在进行了关联。这些视觉资源揭示了Mercé如何在艺术和技术，舞台和银幕，经济和美学之间进行谈判，以确立她的文化地位并抵制西班牙的特定结构。