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Configuring Konfituerenburg: How Fixing the Nutcracker’s Trepak Helped Build the National Image
Dance Chronicle ( IF 0.1 ) Pub Date : 2021-03-11 , DOI: 10.1080/01472526.2021.1877978
Brynn Wein Shiovitz

Abstract

Ivanov’s Nutcracker premiered in 1892 and since then, many choreographers have made their own versions of the work. This article examines two key productions in which Trepak, one of the act 2 divertissements, has remained largely unchanged—Willam Christensen’s 1944 version for San Francisco Ballet and George Balanchine’s 1958 version for CBS—and addresses the historical frameworks: namely, the impact of Russian Imperialism, World War II, and the Cold War that shaped them.



中文翻译:

配置Konfituerenburg:修复胡桃夹子的特雷帕克如何帮助建立国家形象

摘要

伊万诺夫的《胡桃夹子》于1892年首映,此后,许多编舞家都制作了自己的作品。本文考察了Trepak(行为2的多样化之一)在很大程度上保持不变的两个主要作品(Willam Christensen于1944年为旧金山芭蕾舞团创作的版本和George Balanchine于1958年为哥伦比亚广播公司创作的版本),并探讨了历史框架:即俄国人的影响帝国主义,第二次世界大战和塑造他们的冷战。

更新日期:2021-03-12
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