More than fifty textual sources exist for the sonnet “Mucho a la Majestad sagrada agrada”, most of them being Spanish-Portuguese manuscripts, which demonstrates that the sonnet was widespread in the Iberian Peninsula in the sixteenth and seventeenth centuries. Our paper bears witness of this fact and, based on the available testimonies, edits the text offering all of its variants. A poetical analysis is then provided, in which the sonnet is interpreted more as a moral and homiletic discourse than a conventional funeral poem. The epigraphs offer contradictory information, identifying the deceased as Isabel de Valois or Anna de Austria while the sonnet serves as a memento mori, warning that death respects no condition or status, not even royalty. Sentences and admonishments make up for the absence of specific details in this ambiguous sonnet, where the names of the author and la “reinatal” who serves as the example of the perishable nature of the human condition, remain hidden. Both enigmas are thus inherent to the interpretation of this poem. The Cancioneiro Verdelho is added to all of the repertoires which are known sources, and this sonnet is placed at the base of a transtextual dialogue with other texts, a dialogue which proves to be revealing of the significant connexions that exist between Spanish-Portuguese cancioneros.

中文翻译：

---

Mucho a la Majestad sagrada agrada: un soneto en eco en los cancioneros hispano-portugueses

十四行诗“Mucho a la Majestad sagrada agrada”有五十多个文本来源，其中大部分是西班牙-葡萄牙手稿，这表明十四行诗在 16 和 17 世纪在伊比利亚半岛广为流传。我们的论文见证了这一事实，并根据可用的证词，编辑了提供其所有变体的文本。然后提供了诗歌分析，其中十四行诗更多地被解释为道德和讲道的话语，而不是传统的葬礼诗。这些铭文提供了相互矛盾的信息，将死者确定为伊莎贝尔·德·瓦卢瓦或安娜·德·奥地利，而十四行诗则作为纪念物，警告死亡不尊重任何条件或地位，甚至不尊重皇室。句子和告诫弥补了这首含糊不清的十四行诗中具体细节的缺失，作者的名字和作为人类状况易腐烂本质的例子的la“reinatal”仍然隐藏。因此，这两个谜都是对这首诗的解释所固有的。Cancioneiro Verdelho 被添加到所有已知来源的曲目中，这首十四行诗被放置在与其他文本的跨文本对话的基础上，该对话被证明揭示了西班牙-葡萄牙语 cancioneros 之间存在的重要联系。