Apart from a specific set of conventions in book design, the so-called “genero editorial”, the Castilian chivalric romances from the late 15th to the early 17th c., are a varied genre. The paper takes a look at different ways in which materiality plays a role for the romances, situating them between market strategy and complex literary tradition. Certain approaches, from paratextual keywords (‘mirror’, ‘chronicle’) to metanarrative and metafictional elements (found manuscripts, pseudotranslations, metalepsis) are not only fixed topoi, but vary from text to text. In fact, they are in constant dialogue with recent developments in historiography, as well as other fictional genres. Thus, supernatural sources, contradictory textual evidence, and explanations of the marvelous often combine into a complex discursive strategy that helps explain the continuous popularity of the genre for more than 120 years.

中文翻译：

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骑士浪漫的物质维度：Ortúñez de Calahorra 的 Espejo de príncipes y cavalleros 和其他 libros de caballerías 中的元叙事和书史

除了书籍设计中的一组特定惯例外，所谓的“一般社论”，即从 15 世纪末到 17 世纪初的卡斯蒂利亚骑士浪漫史，是一种多种多样的流派。本文着眼于物质性在浪漫故事中发挥作用的不同方式，将它们置于市场策略和复杂的文学传统之间。某些方法，从副文本关键词（“镜子”、“编年史”）到元叙事和元小说元素（发现的手稿、伪翻译、隐喻）不仅是固定的主题，而且因文本而异。事实上，它们一直在与历史编纂学以及其他虚构类型的最新发展进行对话。因此，超自然的来源，矛盾的文本证据，