In this article, I discuss three central peritexts included in French poet Louise Labé’s Euvres de Louïze Labé Lionnoize, printed by Jean de Tournes in Lyon in 1555: the title page, the royal privilege, and a collection of celebratory poems. Arguing that the Early Modern book provided a space where women authors and their editors could engage with ongoing debates about women and their artistic capabilities, I analyse how the author figure Louise Labé is presented in these peritexts, tying that image to the contents of the book as well as to prevalent views on women authors. Highlighting the critique that a woman who published in print was likely to face, I argue that the peritexts can be connected to specific, sometimes traditional, sometimes unconventional, marketing strategies that correlate to Labé’s poetry and preface. In addition, I highlight the commercial aspects of the book, arguing that the peritexts were used to entice multiple types of readers (and buyers) to invest in the book.

中文翻译：

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Louïze Labé Lionnoize：早期现代作家的塑造

在这篇文章中，我将讨论法国诗人路易丝·拉贝的《Euvres de Louïze Labé Lionnoize》（1555 年让·德·图尔内斯在里昂出版）中包含的三个核心内容：扉页、皇室特权和庆祝诗集。认为早期现代书提供了一个空间，女性作者和她们的编辑可以参与关于女性及其艺术能力的持续辩论，我分析了作者人物路易丝拉贝如何在这些周边文本中呈现，并将该形象与本书的内容联系起来以及对女性作家的普遍看法。我强调了一位发表过印刷品的女性可能会面临的批评，我认为这些旁白可以与特定的、有时是传统的、有时是非常规的营销策略相关联，这些营销策略与 Labé 的诗歌和序言相关。此外，