Offering a counterpoint to recent demonstrations that eighteenth‐century writers subverted epic poetry's gender binaries, this article illuminates the eighteenth century's persistent invocation of Homer's Andromache as an ideal archetype of female domesticity. It explores how Homer's eighteenth‐century translators suppressed alternative representations of Andromache as a shrewd military tactician and transformed her into the archetypal domestic woman, before examining how successive eighteenth‐century writers appropriated the ‘domesticated’ Andromache to advocate, inculcate or police the doctrine of separate male and female (public and private) spheres. The final section explores how this trend complicates feminist interpretations of Angelica Kauffman's influential paintings of Andromache.

中文翻译：

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“用在女人成为的作品中”：安德罗玛切与十八世纪文学艺术中分离领域的理想化

本文与18世纪作家颠覆史诗诗歌的性别二元论证的最新论点相提并论，阐明了18世纪对荷马的《安德罗玛切》作为女性家庭理想原型的不懈追求。它探究荷马十八世纪的译者如何压制安德鲁玛奇作为精明的军事战术家的替代表现形式，并将其转变为原型的家庭妇女，然后研究十八世纪的接班作家如何利用“驯化的”安德鲁玛奇来倡导，灌输或保管安德鲁玛奇的学说。男性和女性（公共和私人）领域分开。最后一部分探讨了这一趋势如何使女权主义对当归卡夫曼（Angelica Kauffman）有影响力的安德罗玛奇（Andromache）绘画的解释变得复杂。