Abstract

This article adopts an urban cultural studies method in order to examine the representation of Henri Lefebvre’s urban phenomenon in Belén Gopegui’s Deseo de ser punk (2009). The narrative is focalized through the adolescent perspective of the protagonist/narrator Martina, a resident of Madrid, Spain, and portrays the development of the conflicting material bases of urbanized consciousness formation. Gopegui, moreover, explores how the alienation that attaches to urbanized consciousness can potentially give rise to counterhegemonic urban practices that oppose capital’s conceived city, leading climactically to Martina’s public demand for a renewed, lived city, what the alienated youth calls an acoustic assault.

摘要

本文采用城市文化研究的方法来考察 Henri Lefebvre 的城市现象在 Belén Gopegui 的Deseo de ser punk (2009) 中的表现。叙事通过主人公/叙述者玛蒂娜（西班牙马德里居民）的青少年视角聚焦，描绘了城市化意识形成的相互冲突的物质基础的发展。此外，Gopegui 还探讨了与城市化意识相关的异化如何可能引发反对首都构想的城市的反霸权城市实践，最终导致 Martina 公众对更新、生活的城市的需求，异化的青年称之为声学攻击。