This article aims to reveal aspects of the visual perception of the natural colours of Matthias Grünewald's Resurrection panel, part of the Isenheim Altarpiece (1512‐1516). To identify, which colours are mostly perceived, we have performed an eye‐tracking study with 52 participants at the Unterlinden Museum, in Colmar, France, in which we recorded the participant's eye movements and their spontaneous comments when looking at Grünewald's work, using an innovative approach to let visitors be free while recording their gaze in a realistic observation condition. Results indicate that although orange and red colours are perceived faster, yellows and browns are focused for a more extended period and visited more frequently. The Resurrection's colours are perceived by participants as containing strong emotional content, being explicitly crucial for the full understanding of the painting. Yellow remains the most salient colour of the artwork for the observers, and it is associated with light and transcendent content.

中文翻译：

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绘画中自然色彩的视觉感知：对Grünewald的复活的眼动研究

本文旨在揭示对Isenheim祭坛画（1512-1516）的一部分MatthiasGrünewald的Resurrection面板自然色彩的视觉感知。为了识别哪种颜色最能识别出来，我们在法国科尔马的Unterlinden博物馆与52位参与者进行了眼动追踪研究，其中我们记录了参与者在观看Grünewald作品时的眼动及其自发的评论。一种新颖的方法，可以让游客在现实的观察条件下记录自己的视线时自由自在。结果表明，尽管橙色和红色的感知速度更快，但黄色和棕色的聚焦时间更长，访问频率也更高。在复活参与者认为的颜色包含强烈的情感内容，对于充分理解这幅画显然至关重要。对于观察者来说，黄色仍然是艺术品中最显着的颜色，并且与浅色和超凡的色彩联系在一起。