The excerpts below are from two of the sixteen chapters in B. S. Gadzekpo's radio memoir. In ‘Battles at the microphone’, Gadzekpo describes the diverse ways in which he and other Vernacular Announcers made their mark on wartime programming during World War Two, including how they carefully selected what could be aired as news and rallied local support for the war effort. The chapter ‘The music talent hunt’ details his tireless efforts at identifying and recording indigenous music to play on air in order to keep local audiences glued to the radio, especially after the war. The full text of the manuscript is available with the supplementary material published with Audrey Gadzekpo's article introducing this work at <https://doi.org/10.1017/S0001972021000012>.

以下摘录摘自BS Gadzekpo的广播回忆录中的十六个章节中的两个。Gadzekpo在“麦克风大战”中，描述了他和其他白话播音员在第二次世界大战期间的战时节目制作中所采用的不同方式，包括他们如何精心选择可以作为新闻播出的内容以及集结了当地对战争努力的支持。“音乐人才的搜寻”一章详细介绍了他为识别和录制要播放的土著音乐而做出的不懈努力，以使当地听众尤其是在战后与广播保持联系。该手稿的全文以及在Audrey Gadzekpo的文章中发表的补充材料中均提供了该补充材料，该文章在<https://doi.org/10.1017/S0001972021000012>上介绍了此工作。