Abstract

This paper explores the UK’s subsidized creative industries sector through the lens of organizational stigma literature. We argue that this theoretical lens contributes nuance and depth to an underexplored yet imperative aspect of the creative industries within the UK at a time when it needs to recover and reconfigure its value-based assessment system as it emerges into the post Covid-19 “new normal.” We bring together two separate, but interlinking studies of a national arts funder’s key stakeholders and its recipient organizations to explore the legitimacy of the funder’s value-based judgements, and the impact of these on subsidized arts organizations.

摘要

本文通过组织污名化文献的视角探讨了英国受补贴的创意产业部门。我们认为，当它需要恢复并重新配置其基于价值的评估系统时，这种理论视角将为英国创意产业的一个尚未开发但势在必行的方面贡献出细微差别和深度。普通的。” 我们将对国家艺术资助者的主要利益相关者及其接受者组织的两项单独但相互联系的研究汇总在一起，以探讨资助者基于价值的判断的合法性，以及这些对资助艺术组织的影响。