ABSTRACT

This article examines the moments in Madame Bovary where wigs are mentioned, reading them as a microscope into the novel’s representation of meaninglessness and its consequences. Starting with the wigs at Vaubyessard, then moving to the solitary wigmaker in Tostes, who serves as a double for Emma, then to the wigmaker in Rouen, and to Emma’s wig at the masked ball, I argue that wigs’ sartorial function and material composition place them at the intersection of – or rather in the crack between – metaphor and metonymy. As such, they serve as clues to the production of the ‘livre sur rien.’

中文翻译：

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'Matêtemiseànu：'Bovary夫人的假发和假发制造者

摘要

本文考察了博瓦里夫人提到假发的那一刻，并将其作为小说无意义及其后果的表现的显微镜来阅读。我从沃伯西萨德（Vaubyessard）的假发开始，然后搬到托斯特斯（Tostes）的孤独假发制作人，后者是爱玛（Emma）的双打，然后到鲁昂（Roen）的假发制作人，再到假面舞会上的艾玛（Emma）假发，我认为假发的服装功能和材料组成将它们置于隐喻和转喻的交汇处，或者更确切地说，位于两者之间的缝隙中。因此，它们是“ livre sur rien”的产生的线索。