In this essay Paul Maloney and Adrienne Scullion investigate the ambitious agenda of theatre internationalism in the context of non-professional theatre making in Glasgow in the mid-twentieth century. For members of the Glasgow Jewish Institute Players, internationalism was represented through a diverse repertoire of classic European texts and contemporary American plays, presented alongside new original plays and sketches drawing on Yiddish and Scottish popular theatre tropes, and experienced through its members’ range of international diasporic networks, specifically with Jewish theatre makers in New York. It is argued that the internationalizing experience of the company and, specifically, its sustained exploration of immigration and of immigrants, achieves an important, even defining, role in the formation of a modern theatre industry and identity in Scotland. Historically interesting in and of itself, this article is also timely given a wider social and cultural ‘fear’ of contemporary migrants. The research encompasses a range of previously unexplored primary material including scripts, reviews, photographs, and company papers, including correspondence with New York-based playwright Sylvia Regan and new interviews with surviving company members. Paul Maloney and Adrienne Scullion work at Queen's University Belfast.

中文翻译：

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从 Gorbals 到下东区：格拉斯哥犹太学院球员的世界主义

在这篇文章中，Paul Maloney 和 Adrienne Scullion 调查了 20 世纪中叶格拉斯哥非专业戏剧制作背景下戏剧国际主义的雄心勃勃的议程。对于格拉斯哥犹太学院球员的成员来说，国际主义通过各种经典的欧洲文本和当代美国戏剧的剧目表现出来，与新的原创戏剧和以意第绪语和苏格兰流行戏剧比喻为基础的草图一起呈现，并通过其成员的国际范围体验散居网络，特别是与纽约的犹太剧院制造商。有人认为，公司的国际化经验，特别是其对移民和移民的持续探索，实现了一个重要的，甚至是定义性的，在苏格兰现代戏剧产业和身份的形成中发挥的作用。从历史上看，这篇文章本身就很有趣，考虑到对当代移民的更广泛的社会和文化“恐惧”，这篇文章也很及时。该研究包括一系列以前未开发的主要材料，包括脚本、评论、照片和公司文件，包括与纽约剧作家西尔维娅·里根的通信以及对幸存公司成员的新采访。Paul Maloney 和 Adrienne Scullion 在贝尔法斯特女王大学工作。包括与纽约剧作家西尔维娅·里根的通信以及对幸存公司成员的新采访。Paul Maloney 和 Adrienne Scullion 在贝尔法斯特女王大学工作。包括与纽约剧作家西尔维娅·里根的通信以及对幸存公司成员的新采访。Paul Maloney 和 Adrienne Scullion 在贝尔法斯特女王大学工作。