were convinced that’s exactly what they were doing and doing so within spaces that came out of live theater” (293). This book will be of special significance to scholars of both film and theater history; it would make an excellent text for any number of interdisciplinary courses across a variety of subjects, as well as being a fascinating read for anyone interested in pop culture, American history, American urbanity, or media studies.

中文翻译：

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艾拉·奥尔德里奇：伯恩斯·林德福斯 (Bernth Lindfors) 的最后几年，1855-1867

确信这正是他们正在做的事情，并且在来自现场剧院的空间内这样做”（293）。这本书对电影史和戏剧史的学者都具有特殊意义；它将成为跨学科的任意数量的跨学科课程的优秀教材，对于对流行文化、美国历史、美国城市化或媒体研究感兴趣的任何人来说，这也是一本引人入胜的读物。