of the book (past judges for the Yale Drama Series), it is unfortunate that playwrights who have written very successful state-of-the-nation plays, such as Tony Kushner and Suzan-Lori Parks, are left out. Likewise, Paula Vogel’s voice would have been a welcome addition to any discussion about the training and current state of American playwriting. While there are bones to pick, the collection does include a diverse slate of writers who represent a range of different eras, styles, and subject matter. Taken in totality, the interviews represent a broad cross-section of the past fifty years of British and American playwriting.

中文翻译：

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斯坦尼斯拉夫斯基在世界上：系统及其跨大陆的转变编辑。作者：Stefan Aquilina 和 Jonathan Pitches

在本书（耶鲁戏剧系列的前任评委）中，不幸的是，那些写出非常成功的国家戏剧的剧作家，如托尼·库什纳和苏珊-洛里·帕克斯，被排除在外。同样，Paula Vogel 的声音对于任何关于美国剧本创作的培训和现状的讨论都是一个受欢迎的补充。虽然有一些骨头可供选择，但该系列确实包括代表不同时代、风格和主题的多元化作家。总的来说，这些采访代表了过去五十年英国和美国剧本创作的广泛横截面。