Infrared reflectography of the Mughal painting known as Princes of the House of Timur (British Museum, 1913,0208,0.1) suggests at least four phases of overpainting, reveals previously unseen inscriptions, clarifies issues of iconography, and provides parallels with workshop practice—in particular, with bookbinding and book illustration.

中文翻译：

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帖木儿之王的莫卧儿绘画王子的红外反射成像（大英博物馆，1913,0208,0.1）

莫卧尔绘画的红外反射成像技术被称为帖木儿之王（大英博物馆，1913,0208,0.1）表明至少有四个阶段的过度粉饰，揭示了以前看不见的铭文，阐明了肖像学的问题，并提供了与车间实践的相似之处。特别是带有装订和书籍插图。