Historically, theatre has served as a cultural and aesthetic resource for the promotion of ideas, discourses and symbols, as well as for the production and promotion of feelings. In the context of war, the scenic arts can serve to socially and culturally legitimize a national cause through the aesthetic, exemplary representation of opposing sides. In Chile, the War of the Pacific (1879-1883) made possible the development of a theatre that looked to incorporate the masses in the understanding and assimilation of the conflict. This was achieved through simple but effective stagings, where the archetypal construction of the enemy was transformed into an essential means of self-definition, self-balancing, and the legitimization of the appropriate cause.

中文翻译：

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智利爱国歌剧院

从历史上看，戏剧一直是文化和美学的资源，用于促进思想，话语和符号的产生，以及情感的产生和促进。在战争的背景下，风景艺术可以通过对立面的审美和典范表现，在社会和文化上使民族事业合法化。在智利，太平洋战争（1879-1883）使剧院的发展成为可能，该剧院希望将群众纳入对冲突的理解和同化中。这是通过简单但有效的分期实现的，敌人的原型结构被转变为自我定义，自我平衡以及适当原因合法化的基本手段。