Abstract:This study presents the life story of Virginia Fábregas, a major diva of Mexico at the start of the twentieth century. The discussion focuses on the following issues: changes in the theatre between the late nineteenth and early twentieth centuries; the artistic life of Fábregas; her theatre; her image of elegance; and her complex and scandalous divorce. Theories of Pierre Bourdieu on distinction and of Guy Debord on spectacle are used to explain how the theater became a fundamental space of sociability for the Mexican bourgeoisie of the time and how the apotheosis of this process was precisely the Teatro Virginia Fábregas in terms of distinction, taste, and bourgeois classing. The essay builds on historical theatre sources that help reconstruct the various stages of Fábregas's life.

中文翻译：

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拉迪瓦弗吉尼亚·法布雷加斯：剧院与剧院之间的旅行间，1888年至1950年

摘要：这项研究提出了弗吉尼亚·法布雷加斯（VirginiaFábregas）的生活故事，这是二十世纪初墨西哥的主要天后。讨论集中在以下问题上：19世纪末至20世纪初的战区变化；法布雷加斯的艺术生活；她的剧院；她优雅的形象；和她复杂而丑陋的离婚。皮埃尔·布迪厄（Pierre Bourdieu）的区别理论和盖伊·德博德（Guy Debord）的眼镜理论被用来解释剧院如何成为当时墨西哥资产阶级的社会交往的基本空间，以及这一过程的典范在区别方面如何恰恰是弗吉尼亚·法布雷加斯剧院（Teatro VirginiaFábregas），品味和资产阶级分类。本文以历史剧场资料为基础，有助于重建法布雷加斯生活的各个阶段。