Abstract:This essay establishes a bridge between the process of creating the spectacle Cinco Tempos para a Morte and theatre genetics, using the principles of the latter. This methodological device is used to understand not only the final product (the spectacle), but also the collective creation process (the rehearsals) of the spectacle created and performed between 2010 and 2011 in Porto Alegre, Brazil, by the Usina do Trabalho do Ator group. By means of genetic studies, the analysis problematizes ways of recording the creative path, presenting the limitations of the documents used for the research. Finally, the study of the theatrical creation process is proposed as an infinite analysis.

中文翻译：

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Cinco Tempos para a Morte照片

摘要：本文利用后者的原理，在戏剧《 Cinco Tempos para a Morte》的创建过程与戏剧遗传学之间建立了一座桥梁。这种方法学的方法不仅用于了解最终产品（眼镜），还用于了解眼镜制造商的集体创作过程（排练），该眼镜创作于2010年至2011年之间，由巴西Uso do Trabalho do Ator进行，并在巴西阿雷格里港（Porto Alegre）进行。团体。通过遗传研究，分析使记录创造性路径的方法出现问题，从而提出了用于研究的文献的局限性。最后，提出了对戏剧创作过程的研究作为一种无限的分析。