Abstract:In this article I review Evelina Fernández’s trilogy of plays, Hope, Faith, and Charity. The trio tells a semi-autobiographical family saga covering nearly one hundred years. Throughout the plays, Fernández addresses big issues in everyday life, using national and international arenas of international politics as a background. Passing through the Mexican Revolution, the Great Depression, WW II, the Cuban Missile Crisis, and the War in Iraq, the Mexican Trilogy gauges the effect these events have in the lives of the women in Fernández’s family, underlining the social practices in which various inequalities (gender, racial, and ethnic) are played out. Crossing the boundaries and thinking creatively about her family migration experience, Fernández shows us new ways of understanding social relations in pursuit of “setting the record straight” on behalf of the strong women who preceded her.

中文翻译：

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伊夫莉娜·费尔南德斯（EvelinaFernández）的墨西哥三部曲：“创纪录”

摘要：在本文中，我将回顾伊夫莉娜·费尔南德斯（EvelinaFernández）的戏剧三部曲：希望，信仰和慈善。这三人讲述了一个半自传式的家族传奇，历时近一百年。在整部戏中，费尔南德斯都以国际政治的国内和国际舞台为背景，探讨日常生活中的重大问题。经历了墨西哥革命，大萧条，第二次世界大战，古巴导弹危机和伊拉克战争，墨西哥三部曲衡量了这些事件对费尔南德斯家中妇女生活的影响，强调了各种社会习俗不平等现象（性别，种族和种族）被发挥出来。跨越界限，创造性地思考她的家庭移民经历，