Abstract:A debate about Method of Action Analysis (MAA), derived from the Stanislavski System split older actors and newly trained DPRK theatre artists in the early 1960s. The conflict arose around memorizing lines, which had previously been done during table work. Using the art journal Joseon-yesul (Korean Art) published by the government, two generations debated acting. Eventually MAA was established at the instruction of Kim Il-sung, who stated that all artists must undertake participant observation for realistic portrayals. Yet, MAA as practiced in this case did not necessarily involve psychological expansion, which was the overall objective of the exercises outlined by Stanislavski.

中文翻译：

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行动分析法与1960年代朝鲜现实主义剧场

摘要：关于行动分析法（MAA）的争论，源于 1960 年代初期的斯坦尼斯拉夫斯基系统将老演员和新训练的朝鲜戏剧艺术家分开。冲突发生在背诵台词上，这在以前是在餐桌工作中完成的。两代人在政府出版的艺术杂志Joseon-yesul（韩国艺术）上辩论表演。最终在金日成的指导下成立了MAA，金日成说所有艺术家都必须进行参与观察以进行写实。然而，在这种情况下练习的 MAA 不一定涉及心理扩张，这是斯坦尼斯拉夫斯基概述的练习的总体目标。