This article demonstrates how migration formed a process of memory construction in the work and thought of Russian émigré composer Arthur Lourié (1891–1966). It analyses Lourié’s song cycle Recollection of Petersburg, composed over two decades and across four countries, providing close readings of music and poetry and exploring the network of intertextual connections the cycle activates. Lourié has proven a difficult subject because of the diversity of aesthetic positions he took from decade to decade. Recollection allows us to trace a line of continuity as he passed through these incarnations, revealing an aesthetics of accumulation and arrangement with origins in Acmeist poetics. This aesthetics, in turn, served as a coping strategy for Lourié’s life in emigration, as he sought to order the voices of memory and escape the flow of time. Lourié’s case will contribute to our understanding of the profound impact of migration on music in the twentieth century.

中文翻译：

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展开 Arthur Lourié 的彼得堡回忆中的记忆之扇

本文展示了移民如何在俄罗斯移民作曲家亚瑟·卢里埃（1891-1966）的作品和思想中形成记忆构建过程。它分析了 Lourié 的歌曲周期圣彼得堡的回忆，跨越两个十年，跨越四个国家，提供音乐和诗歌的近距离阅读，并探索循环激活的互文连接网络。Lourié 已被证明是一个困难的主题，因为他在十年间采取了多样化的审美立场。回忆让我们在他穿越这些化身时追踪一条连续性的线，揭示了一种起源于阿克梅主义诗学的积累和安排的美学。这种美学反过来又成为了卢里埃移民生活的一种应对策略，因为他试图整理记忆的声音并逃离时间的流逝。Lourié 的案例将有助于我们理解移民对二十世纪音乐的深远影响。