Abstract:This article examines the function and dynamic of the domestic spaces described in two of Emile Zola’s Rougon-Macquart novels as panoptic devices whose function it is to suppress not only the domestically bound female but the male as well. The misuse of physical spaces that provide the settings of La Curée and Nana highlights the loss of patriarchal control as the physical spaces fail to perform their intended functions. By reading architectural intent as an extension of the will and law of the father, the subsequent betrayals of class, family, and assumed control are arguably failures of the architecture and, by extension, failures of social practice reliant upon containment and surveillance.

中文翻译：

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左拉的《杀戮与娜娜》中违反边界和共犯空间

摘要：本文考察了埃米尔·左拉 (Emile Zola) 的两部鲁贡-麦夸特 (Rougon-Macquart) 小说中描述的家庭空间的功能和动态，作为全景装置，其功能不仅是压制受束缚的女性，还压制男性。对提供 La Curée 和 Nana 设置的物理空间的滥用凸显了父权控制的丧失，因为物理空间无法执行其预期功能。通过将建筑意图解读为父亲的意志和法律的延伸，随后对阶级、家庭和假定控制的背叛可以说是建筑的失败，推而广之，依赖于遏制和监视的社会实践的失败。