In 2015/16 interactive public art works were installed on the sidewalks in Brooklyn and Queens by Rebecca Hackemann using ordinary city permits. The locations were chosen in order to counteract the dominant locations for public art in New York, which tend to be in Manhattan and/or in tourist concentrated areas. The works are entitled The Public Utteraton Machines and enable passersby to utter their opinions about other public art in the city as well as its role in society. The device’s earpiece recorded over 100 open ended narratives and 391 responses to quantitative data questions via an integrated e-paper display screen. This public art project combines social practice with object based public art into a conceptual public art practice that forms a commons or civic art. Sound archives of the responses can be found at local libraries in Queens and Brooklyn and at http://utteraton.com/.

中文翻译：

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不适合游客 - 公共艺术的公开性 - 公共 Utteraton 机器记录人们对纽约市其他公共艺术的看法

2015/16 年度，Rebecca Hackemann 使用普通城市许可证在布鲁克林和皇后区的人行道上安装了互动公共艺术作品。选择这些地点是为了抵消纽约公共艺术的主要地点，这些地点往往位于曼哈顿和/或旅游集中区。这些作品名为 The Public Utteraton Machines，让路人能够表达他们对城市中其他公共艺术及其在社会中的作用的看法。该设备的耳机通过集成的电子纸显示屏记录了 100 多个开放式叙述和 391 条对定量数据问题的回答。这个公共艺术项目将社会实践与基于对象的公共艺术结合成一种概念性的公共艺术实践，形成一种公地或公民艺术。