If this review contained a single sentence on every piece that was performed – let alone every lecture, discussion or open forum – from 14 to 28 July in Darmstadt, it would easily be book-length. Like, big book – maybe not Taruskin big, but definitely Rutherford-Johnson big. I have, for the most part, written about the bits that particularly struck me and tried to make sense of them both in themselves and in the context of the courses. This was especially difficult to do this year, because there really was no singular takeaway being presented, advocated or otherwise offered, which is quite remarkable, but makes narrowing down review material even more fraught. None of the pieces discussed below get the full description and analysis that they deserve – this is just a first attempt to make sense of things that happened.

中文翻译：

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2018 年达姆施塔特艺术节

如果这篇评论在 7 月 14 日至 28 日在达姆施塔特举行的每一场演出中都包含一个句子——更不用说每场演讲、讨论或公开论坛了，那它很容易成为一本书的长度。就像，大书——也许不是塔鲁斯金大，但绝对是卢瑟福-约翰逊大。在大多数情况下，我写了一些特别让我印象深刻的东西，并试图在它们本身和课程的背景下理解它们。今年特别难做到这一点，因为确实没有提出、提倡或以其他方式提供单一的外卖，这非常了不起，但使缩小审查材料的范围更加令人担忧。下面讨论的文章都没有得到他们应得的完整描述和分析——这只是第一次尝试理解发生的事情。