Brazil's foremost ensemble of the late twentieth century, Grupo Novo Horizonte de São Paulo, transformed Brazilian contemporary music by cultivating a new mixed-chamber repertory and giving sustained support to a generation of emerging composers. That this cosmopolitan group took, then outgrew, the Pierrot ensemble as its cornerstone signals the medium it forged: a localized, evolving spectacle with a richly internationalist heritage. This article offers a panoramic view of the musical, intercultural and historical contexts that underpin Grupo Novo Horizonte's practices and legacy. Analysing landmark works by Sílvio Ferraz, Harry Crowl and others allows us to draw further connections between the group, the Brazilianness of late twentieth-century compositional aesthetic, and the realities of contemporary classical music-making in Brazil.

中文翻译：

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巴西当代音乐的新视野：GRUPO NOVO HORIZONTE DE SãO PAULO，1988-99

巴西 20 世纪后期最重要的乐团 Grupo Novo Horizo​​nte de São Paulo 通过培育新的混合室曲目并为一代新兴作曲家提供持续支持，改变了巴西当代音乐。这个国际化的团体将 Pierrot 乐团作为其基石，标志着它所打造的媒介：一个具有丰富国际主义传统的本地化、不断发展的景观。本文提供了支撑新奥里藏特集团实践和遗产的音乐、跨文化和历史背景的全景图。通过分析 Sílvio Ferraz、Harry Crowl 和其他人的标志性作品，我们可以在该团体、20 世纪后期作曲美学的巴西性以及巴西当代古典音乐制作的现实之间建立进一步的联系。