Johann Herbeck (1831–1877) served in his native Vienna as conductor of the leading choral and instrumental organizations. He showed his devotion to the legacy of Franz Schubert in his performances and also in his edition, published by C.A. Spina and successors, of 51 selected works of the master for men’s, women’s and mixed chorus. Originally conceived as part-songs for ensembles of soloists, this repertoire had become choral music by Herbeck’s time. Included also are arrangements by Herbeck and others of pieces originally written for different performing media. Surviving copies of numbers in the edition, as well as two additional publications, reveal startling inconsistencies in editorial technique, ranging from a lack of intervention to a much freer approach, including liberal sprinkling of unauthentic markings and other deviations from the originals. In the latter category, the editor’s additions may be said to document the performance practice of these works during his time. His choice of sources was also inconsistent, in some cases resulting in faulty versions of the works presented. This study also documents the production and reception history of Herbeck’s edition.

中文翻译：

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约翰·赫贝克的弗朗茨·舒伯特合唱作品版：历史与分析

Johann Herbeck (1831–1877) 在他的家乡维也纳担任主要合唱和器乐组织的指挥。他在他的表演和由 CA Spina 及其继任者出版的他的版本中，展示了他对弗朗茨·舒伯特遗产的热爱，该版本收录了 51 首男、女和混合合唱大师的精选作品。这首曲目最初被设想为独奏者合奏的部分歌曲，到赫贝克时代已成为合唱音乐。还包括 Herbeck 和其他最初为不同表演媒体编写的作品的安排。该版本中幸存的数字副本以及另外两份出版物揭示了编辑技术的惊人不一致，从缺乏干预到更自由的方法，包括随意洒上不真实的标记和与原件的其他偏差。在后一类中，编辑的补充可以说是记录了这些作品在他那个时代的表演实践。他对资料来源的选择也不一致，在某些情况下导致所展示作品的版本错误。本研究还记录了 Herbeck 版本的制作和接收历史。