In the last 50 years, and due to a dilapidation of funds, hundreds of public works have remained unfinished in Italy, most especially in Sicily. In 2007, the group of artists Alterazioni Video declared these modern ruins a formal architectural style—so-called Incompiuto Siciliano— through which they aim to change the buildings’ negative perception, turning it into something positive. In September 2015, I carried out an urban exploration journey during which I visited a dozen Incompiuto Siciliano works all across Sicily in one week. Based on that journey, this paper argues that a renewed sensibility towards incompletion necessarily requires original and creative methods to translate the affective knowledge gained in these sites. Therefore, through the use of personal narratives and the creation of three different experimental videos, the aim is to advance the way we translate embodied encounters with these spaces. This is relevant not only in the context of modern ruins but in further unruly spaces where aesthetic experiences emerge.

在过去的50年中，由于资金短缺，意大利，特别是西西里岛，数百项公共工程仍未完成。2007年，一组艺术家Alterazioni Video宣布这些现代遗址为正式的建筑风格，即所谓的Incompiuto Siciliano，他们旨在通过这种方式改变建筑物的消极观念，将其转变为积极的东西。2015年9月，我进行了一次城市探险之旅，在一周内参观了整个西西里岛的十几个Incompiuto Siciliano作品。基于这一经历，本文认为，对不完整的新敏感性必定需要新颖和创造性的方法来翻译在这些场所获得的情感知识。因此，通过使用个人叙述并创建三个不同的实验视频，目的是提高我们翻译这些空间的具体遭遇的方式。这不仅与现代废墟相关，而且与出现审美​​经验的其他不羁空间相关。