In the almost three decades since the hit situation-comedy Martin (1992–1997) originally aired on Fox, the show has not only enjoyed a vibrant second life through syndication and streaming platforms, but has functioned as a form of television heritage, reflected in fashion, music, games, and memes. Martin has developed a particularly loyal following among black millennials, many of whom were too young to watch the show during its original network television run. In this article, I explore the series’ representations of black women through individual and focus group interviews with 26 black viewers. My interviews reveal that participants have ambivalent relationships with the show. While several cite Martin as their favorite show of all-time, they were disturbed by the show’s troubling depictions of black heterosexual romantic relationships and its reliance on stereotypical representations of black women.

中文翻译：

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“这是男人的事，吉娜”：在马丁观看性别

自从剧情喜剧片《马丁（1992-1997）》最初在福克斯播出以来的近三十年来，该节目不仅通过联合组织和流媒体平台享受了生机勃勃的第二人生，而且还起到了电视传统的作用，体现在时尚，音乐，游戏和模因。马丁在黑人千禧一代中培养了特别忠诚的追随者，其中许多人太年轻，无法在其最初的网络电视转播中观看该节目。在本文中，我将通过对26位黑人观众的个人访谈和焦点小组访谈，探讨该系列节目中黑人妇女的表现形式。我的采访显示，参与者与演出有矛盾的关系。虽然有几个人引用马丁作为有史以来最喜欢的节目，