That is part of an ongoing debate about black creativity, through the 20th and now the 21st century. It’s, “Who is looking?” And it’s always been the same answer for the most part. How do people look? How are people supposed to look? Are white audiences looking at it in the right way? And are black audiences looking to see this piece? And, of course, my question is: What is the right way to look at a piece that is full of ambiguities and ego and all the other things that go into making a monumental sculpture? —Kara Walker

中文翻译：

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拍摄微妙或奇妙的糖宝宝：卡拉沃克对新奴隶叙事的看法

这是 20 世纪和现在的 21 世纪关于黑人创造力的持续辩论的一部分。它是，“谁在看？” 在大多数情况下，它始终是相同的答案。人们看起来如何？人们应该怎么看？白人观众是否以正确的方式看待它？黑人观众是否希望看到这部作品？而且，当然，我的问题是：如何看待一件充满歧义和自我以及制作纪念性雕塑的所有其他东西的作品？——卡拉·沃克