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“Remove the [red] tape” of Respectability: Jazzy Transformations in Jean Toomer’s Washington, D.C.
CEA Critic ( IF <0.1 ) Pub Date : 2019-01-01 , DOI: 10.1353/cea.2019.0017
Daniela Kukrechtová

Abstract:“In his diverse writings based in Washington in the 1920s, particularly the middle section of Cane, Jean Toomer addresses the negative social impact of this tangible division of the capital…. Focusing on his characters’ taxing urban experience in and around the infamous alleys, which contained the city’s poorest, mostly African-American inhabitants, Toomer’s texts imply that it was not only the physical division of the capital but also the discursive arrogance of the white institutions that heightened the class and racial inequalities of his day…. He sets out to dismantle these established physical and rhetorical hierarchies within Washington by focusing on the way the moralizing discourse on respectability exacerbated, rather than diminished, the problems of the alleys, severely damaging not only interracial but also intraracial relationships.”

中文翻译:

“去除[繁文缛节”的体面:Jean Toomer 华盛顿特区的爵士转变

摘要:“让·图默在 1920 年代以华盛顿为基地的多样化着作,特别是甘蔗的中间部分,解决了首都这种有形分裂的负面社会影响......。专注于他的角色在臭名昭著的小巷内和周围繁重的城市体验,其中包含该市最贫穷的,主要是非裔美国人的居民,图默的文字暗示这不仅是首都的物理分裂,而且是白人机构的漫无边际的傲慢这加剧了他那个时代的阶级和种族不平等…… 他着手通过关注关于体面的道德化话语加剧而不是减少小巷问题的方式来拆除华盛顿内部这些既定的身体和修辞等级,
更新日期:2019-01-01
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