Editor’s note: In a presentation for the 2013 CEA Conference in Savannah, screenwriter, director, and actor Ian Dixon gave a multi-media presentation titled “The Actor’s Nature in Mise-enscène: Chekhovian Kinaesthesia and Cinematic Performance.” Part of that presentation involved showing some scenes from John Cassavetes’ 1968 film Faces. What follows is that part of his talk, which we present here with video links as at once a standalone view and in reference to Dixon’s talk published in the Proceedings issue of The CEA Critic.

中文翻译：

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John Cassavetes 脸上的布景和动感氛围：CEA 论坛 2013 年夏季/秋季

编者按：在萨凡纳举行的 2013 年 CEA 会议上，编剧、导演兼演员伊恩·迪克森 (Ian Dixon) 做了一个多媒体演讲，题为“Mise-enscène 中的演员本性：契诃夫动觉和电影表演”。该演示的一部分涉及展示约翰·卡萨维茨 1968 年电影《面孔》中的一些场景。接下来是他演讲的那一部分，我们在此提供视频链接作为一个独立的观点，并参考了发表在 CEA 评论家会议记录问题上的 Dixon 的演讲。