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Gulliver, Heidegger’s Man: Swift’s Satire of Man in Captivation
College Literature ( IF <0.1 ) Pub Date : 2018-01-01 , DOI: 10.1353/lit.2018.0011
Dongshin Yi

Drawing upon Martin Heidegger’s distinction between man and the animal, which appropriates Jakob von Uexkull’s theory of Umwelt and whereby it is described that man lives in “transition” and “transposition” while the animal in “captivation,” this essay examines how Gulliver conceives the Heideggerean notion of man by distinguishing himself from animals and animal-like humans but ironically ends up becoming captivated by that very notion. As a satire of what might be called “Heidegger’s Man,” whose examples are found not only in Gulliver but in Heidegger and Uexkull, Gulliver’s Travels thus communicates Jonathan Swift’s scathing criticism of the anthropocentric notion of man to today’s world as well as to his own.

中文翻译:

格列佛,海德格尔的人:斯威夫特对着迷中的人的讽刺

本文借鉴马丁·海德格尔对人与动物的区分,借鉴了雅各布·冯·尤克斯库尔的环境世界理论,描述人生活在“过渡”和“换位”中,而动物处于“迷恋”状态,本文探讨了格列佛如何构想海德格尔的人的观念通过将自己与动物和类似动物的人区分开来,但具有讽刺意味的是,最终却被这个观念迷住了。作为对可能被称为“海德格尔的人”的讽刺,其例子不仅在格列佛,而且在海德格尔和乌克斯库尔中都有发现,因此《格列佛游记》将乔纳森·斯威夫特对人类中心论的严厉批评传达给当今世界以及他自己的世界.
更新日期:2018-01-01
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