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Framing the Narrative: Ethical Relationships in Post-Apartheid South African Museums
College Literature ( IF <0.1 ) Pub Date : 2017-01-01 , DOI: 10.1353/lit.2017.0034
Mindi McMann

This essay examines the narratives told through key touristic elements of Cape Town's Robben Island Museum and District Six Museum, such as guided tours and the preservation and/or recreation of space. Specifically, my argument is concerned with the kinds of ethical relationships that might emerge between a visitor/audience and the stories told within these museums. Focusing the curatorial goals of the museum in memorializing a specific history, and the kinds of stories visitors expect, I provide a phenomenological reading of these museums to argue that they lay a foundation for an ethical encounter, though the more fluid narrative of District Six Museum is ultimately more successful. Using Avishai Margalit's The Ethics of Memory and Emmanuel Levinas's face to face encounter, I analyze how these museums invite visitors to join what Margalit calls a "community of caring."

中文翻译:

构建叙事:种族隔离后南非博物馆的伦理关系

本文考察了通过开普敦罗本岛博物馆和第六区博物馆的主要旅游元素讲述的叙述,例如导游和空间的保护和/或娱乐。具体而言,我的论点涉及访客/观众与这些博物馆内讲述的故事之间可能出现的道德关系类型。将博物馆的策展目标集中在纪念特定历史和游客期望的故事类型上,我提供了对这些博物馆的现象学解读,以论证它们为道德遭遇奠定了基础,尽管第六区博物馆的叙述更加流畅最终更成功。使用 Avishai Margalit 的 The Ethics of Memory 和 Emmanuel Levinas 的面对面相遇,
更新日期:2017-01-01
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