Abstract:In 1802, Chateaubriand plans a Voyage en France that will never be achieved. A few fragments of this project remain: a chapter of the Mémoires d'outre-tombe about a journey to the Midi in 1802, the French sections of the Voyage en Italie, a short stay in Auvergne in 1805 (Cinq jours à Clermont), as well as some mentions of other trips. Tales of the Consulate and the Napoleonic Empire are mixed with the impressions of visits to the same places in the 1830s, producing thematic echoes and historical depth. This article proposes an analysis of this galaxy of texts. In his sketches of provincial, feudal and Christian France, Chateaubriand often hides behind erudition and history to avoid the shock of post-revolutionary reality, but the present reappears: in his argument's assumptions and his dysphoric gaze. A political impasse prevents Orleanist France from becoming the subject of a coherent work. (In French)

中文翻译：

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片段法国之行

摘要：1802年，夏特布里安（Chateaubriand）计划进行一次法国远航，这一旅程将永远无法实现。这个项目的一些片段仍然存在：一段关于露天剧场的故事，讲述了1802年前往Midi的旅程，Voyage en Italie的法国部分，1805年在奥弗涅的短暂停留（Cinq joursàClermont），以及其他旅行的提及。领事馆和拿破仑帝国的故事混杂着1830年代访问同一地方的印象，产生了主题回响和历史深度。本文提出了对这个文本星系的分析。夏多布里安在省，封建和基督教法国的素描中经常躲在博学和历史后面，以避免革命后现实的冲击，但现在又出现了：在他的论点的假设和焦躁的目光中。政治僵局阻止Orleanist France成为相关工作的主题。（法文）