Abstract:This article examines the politics and aesthetics of silence in the Restoration through Jacques-Antoine Manuel’s 1823 speech in the Chamber of Deputies, allegedly condoning regicide, and Pierre-Jean de Béranger’s politically radical Chansons nouvelles of 1825. Although an official policy of forgetting was enshrined in the Charte constitutionnelle of 1814, various political forces struggled over competing memorializations of the Revolution and its central event, the execution of the King. The imposition of a narrative of expiation by the right effectively silenced the left’s program of completing the Revolution. The defiant display of silence after Manuel’s expulsion from the Assembly was mirrored by the public ambiguity surrounding his intimate relationship with Béranger, as well as by the ellipses marking ostensibly censored passages in Béranger’s songs. Silence might mask any terrifying or scandalous secret that Manuel’s opponents or Béranger’s readers could imagine, as the Revolution was continued through other means.

中文翻译：

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杀人与沉默的口才：驱逐曼努埃尔人到议会（1823）和贝朗格的《香颂小说》（1825）

摘要：本文通过雅克·安托万·曼努埃尔（Jacques-Antoine Manuel）1823年在众议院的演讲（涉嫌宽恕）和皮埃尔·让·德·贝朗格（Pierre-Jean deBéranger）的1825年激进的政治激进主义小说，研究了恢复时的沉默政治和美学。被1814年的《宪章》载入宪法，各种政治力量为革命及其中心事件即国王的死而相互竞争的纪念而奋斗。右派强加了对剥夺性的叙述，实际上使左派完成革命的计划沉默了。曼努埃尔（Manuel）被逐出大会后，他表现出的挑衅的沉默反映了公众对他与贝朗格（Béranger）亲密关系的含糊不清，以及椭圆形标志着贝朗杰歌曲中明显被删节的段落。沉默可能掩盖了曼努埃尔的反对者或贝兰格的读者可能想象的任何可怕或丑闻的秘密，因为革命通过其他方式继续进行。