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Considérations sur la monarchie et figures du roi dans l’œuvre d’Alfred de Musset
Nineteenth-Century French Studies ( IF 0.1 ) Pub Date : 2019-01-01 , DOI: 10.1353/ncf.2019.0007
Gilles Castagnès

Abstract:Scholars are well aware of Musset’s apoliticism, thanks to the author’s reiterated contempt for public affairs. Several poems of circumstance praising the royal family and the power that reigned could however lead one to believe that the poet was a fervent supporter of Louis-Philippe. If we consider all of the texts that comment on the monarchy, we see that things are more complex: the post-revolutionary monarchy is often devalued in favor of a nostalgia for the past. What Musset proposes is nothing less than a philosophy of history, out of step with what Romantic historians generally develop. Representations of the king are equally original in his work, especially if compared to those of other contemporary playwrights: rather than degraded, Musset’s king is a timeless person, belonging to a world from the past that is imaginary and obsolete. (In French)

中文翻译:

君主制宪章》,马赛特国王纪念碑

摘要:由于作者重申了对公共事务的蔑视,学者们对穆塞特的非政治意识非常了解。然而,赞美王室和统治权力的几首诗可能使人们相信这位诗人是路易斯·菲利普的热心支持者。如果我们考虑所有评论君主制的文字,就会发现事情更加复杂:革命后的君主制经常贬值,以支持过去的怀旧之情。穆塞特所提出的,无非是一种历史哲学,与浪漫主义历史学家普遍发展的步调不一致。国王的作品在他的作品中同样具有原创性,尤其是与其他当代剧作家的作品相比时:穆塞特的国王不朽,但他是一个永恒的人,属于过去的虚构和过时的世界。(法文)
更新日期:2019-01-01
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